The Green Home of the Future

By ALEX FRANGOS What will the energy-efficient house of the future look like? It could have gardens on its walls or a pond stocked with fish for dinner. It might mimic a tree, turning sunlight into energy and carbon dioxide into oxygen. Or perhaps it will be more like a lizard, changing its color to suit the weather and healing itself when it gets damaged. The Journal Report See the complete Energy report. See the green houses of the future: The Rios Clemente Hale House and The Mouzon Design House The William McDonough + Partners House and The Cook + Fox House Those are just a handful of the possibilities that emerged from an exercise in futurism. The Wall Street Journal asked four architects to design an energy-efficient, environmentally sustainable house without regard to cost, technology, aesthetics or the way we are used to living. The idea was not to dream up anything impossible or unlikely -- in other words, no antigravity living rooms. Instead, we asked the architects to think of what technology might make possible in the next few decades. They in turn asked us to rethink the way we live. "This is a time of re-examining values, re-examining what we need," says one of our architects, Rick Cook, of the New York firm Cook + Fox. "We are re-examining the idea of home." A fresh look may be long overdue, given the amount of damage that homes can do to the environment. It's easy to envision a power plant spewing pollution or a highway full of cars burning billions of gallons of petroleum. But buildings -- silent and unmoving -- are the quiet users of much of our energy, through electricity, heating and water consumption. The U.S. Energy Department estimates buildings are responsible for 39% of our energy consumption and a similar percentage of greenhouse-gas emissions. The growing awareness of that fact helps explain why green building is one of the most pervasive trends in the construction industry -- even as the economy struggles and home-building is at its lowest level in a generation. So, how will the green homes of tomorrow help solve the energy puzzle? Here's a gander into the future. View Full ImageRCH Studios ON THE HOUSE The Rios Clementi Hale Studios house has a garden façade that includes chickpeas, tomatoes and other plants. The plants also provide shade and cooling. A rooftop reservoir collects water and keeps the building cool, while rooftop windmills generate energy. Out on a Limb "I'd love to build a house like a tree," says architect William McDonough of the Charlottesville, Va., firm William McDonough + Partners. And that's what he set out to do here. The surface of his house, like a leaf, contains a photosynthetic layer that captures sunlight. Unlike today's solar panels, which are often pasted above a roofline, these are woven into the fabric of the exterior. They heat water and generate electricity for the home -- and create oxygen for the atmosphere, to offset carbon produced in other areas of the home. The appeal of ultrathin, integrated solar panels goes beyond convenience. Today's solar is plain ugly and off-putting to many homeowners, something Mr. McDonough calls the "potpourri of miscellany stuck on our roofs." Unseen solar arrays, especially ones that create hot water, will be a "breakthrough from aesthetic perspective, which is a huge issue," he says. As for the rest of the design, Mr. McDonough envisions a sleek, curved roof with generous eaves to provide shade, which lowers the heat load in summer, thereby reducing the need for energy-hogging air conditioning. The roof also insulates and provides an outdoor garden. (Mr. McDonough designed a similar "green roof" for a Ford Motor Co. factory -- one of the first large U.S. buildings with that design.) The "bark" of the treelike house would be thin, insulating films that would self-clean and self-heal, Mr. McDonough says, thus avoiding the need to replace them after years of exposure to the elements. View Full ImageWilliam McDonough and Partners BRANCHING OUT William McDonough + Partners envisions its house like a tree. The "bark" of the house is made up of thin, insulating films that would self-clean and self-heal if damaged. A curved roof with large eaves provides shade, which lowers the heat load in summer. The "trunk," or the frame of the home, consists of carbon tubes, while the "roots" are a heat-pump system buried in the yard. It sounds far-fetched, but some of these technologies already exist. Self-cleaning glass, for instance, has a special coating that uses ultraviolet sunlight to break down organic dirt; rainwater then washes the filth away. Self-healing paints that contain microscopic capsules of color are in use on some car paint, for instance. These vessels break open when the surface of the paint is scratched to repair the damage. Similar ideas could expand to repair other materials such as glass or cladding. The "trunk" -- or the frame of the home -- would eschew wood or metals. Instead, lightweight, "resource efficient" carbon tubes would keep the structure standing upright. Finally, the "roots" of the home would be a ground-source heat-pump exchange system buried in the yard. It would take advantage of the relatively constant temperature of the soil to control the home's climate -- bringing in heat in winter, when the ground is warmer than the surrounding air, and cool in the summer, when the ground's temperature is lower. Such systems exist today, but cost puts them out of the reach of most homeowners. Other technological advances in the home include cement that would absorb carbon dioxide as it cures, offsetting the heavy loads of energy used to make the material. What's more, special surfaces on the house would capture condensation for water use, avoiding the need for wells or faraway sources. The design also takes into account what happens to the building when its useful life is over -- something most builders never consider, Mr. McDonough says. Today's buildings are often filled with chemical insulators and films on windows. While there have been major advances in these areas, such as the use of low-chemical-emitting paints and carpets, most insulating windows today still contain mercury and other heavy metals. View Full ImageCook+Fox UNDER MY SKIN Cook + Fox's house reacts to the weather, turning dark in the bright sun to insulate the house from heat and turning clear on dark days to absorb light and heat. The façade also captures rain and condensation to fill the household's water needs. Inside, walls and furniture are on rollers to take advantage of the fact that some spaces, such as bedrooms, are underutilized most of the day. Mr. McDonough envisions a building industry in which everything that goes into a house eventually breaks down harmlessly, much as a tree falls and biodegrades on the forest floor. So, in his house, building materials from the cladding to the floors would be easily disassembled and reused, or, as he says, "return to the Earth." The Reptile House If Mr. McDonough's house is a tree, then this one is a lizard -- whose skin is among its most important features for survival. Cook + Fox's house has a "biomorphic" skin that reacts to the weather, turning dark in the bright sun to insulate the house from heat and turning clear on dark days to absorb as much light and heat as possible. The façade also captures rain and condensation to fill the household's water needs -- much like a desert-dwelling horny lizard rolls drops of dew from its nose to its mouth. Mr. Cook sees the house of the future looking toward nature's way of solving problems as much as it looks to technology, a concept called biomimicry. "You need to view a house as a surface area for life, as opposed to a thing to be power-washed," Mr. Cook says. Cook + Fox is well known for its green designs. Its biggest green project is the New York headquarters of Bank of America, which is known as One Bryant Park. The sculpted white-glass tower, Manhattan's second-tallest after the Empire State Building, creates massive ice blocks in the evening when electricity is cheapest. As the "ice batteries" melt, they are used to cool the building during times of peak electricity loads during the day. View Full Image OLD AND NEW The Mouzon Design house uses tomorrow's technologies -- as well as ancient techniques to reduce energy use. Solar paneling built into the roof and façade provides electricity and hot water. The house also employs a "breeze chimney," an ancient architectural tool, as a kind of air conditioning. The Cook + Fox house has a modern look, but it's designed to fit into a traditional neighborhood setting. Inside, rooms are easily configurable for lounging or work. Walls and furniture are on rollers, for instance, to take advantage of the fact that some spaces, such as bedrooms, are underutilized most of the day. What's more, toilets and washrooms are separated, serving more people with less space. Making a house that's more conducive to work is important for energy efficiency because it eliminates driving -- and thus reduces energy consumption. A key feature of the house is perhaps its most traditional: a front stoop, which enables the home dweller to look out on neighbors and observe the area. Noting an idea from scientist E.O. Wilson, Mr. Cook says, "No matter how advanced we get with technologies, there are things that make the human feel good no matter what. People like to see a horizon view and feel safe." Meals at Home Rios Clementi Hale Studios cheekily calls their concept the "Incredible Edible House." This somewhat fantastical design seems to be as much about the future of food production as architecture. The façade of the three-story abode is slathered in a vertical garden that includes chickpeas, tomatoes, arugula and green tea. Step outside in the morning and harvest your meals. The plants both nourish the inhabitants and provide shade and cooling, absorbing heat better than a wall made of wood, brick, stucco or glass. Rios Clementi Hale, based in Los Angeles, has a reputation for playful and innovative designs. Its best-known works include the angular red, ochre and green-striped campus of the California Endowment in downtown Los Angeles. It has also done designs for Hollywood powers such as Walt Disney's Robert Iger and movie and music impresario David Geffen. But the plants aren't the only striking feature of the design. At three stories, the edible house is also more vertical than the typical suburban home, a nod to the importance of building dense, urban-style houses in order to reduce energy use. A rooftop reservoir collects water and keeps the building cool; rooftop windmills generate energy. The house is also put together in an intriguing way: It's made of three prefabricated containers stacked on top of each other that can be moved on a trailer if the mood fits. This method exists today, but it's not used very much, since homeowners associate prefabrication with lower-end homes. But the benefits for lowering energy use are substantial. The standardized construction in prefabricated homes reduces defects that can hamper energy conservation. And it's easier to ship prefabricated parts, which means reduced fuel use for deliveries. Learning From the Past Looking to the future isn't the only way to be innovative. The house from architect Steve Mouzon, of Mouzon Design in Miami Beach, Fla., uses tomorrow's technologies while mining ancient techniques to reduce energy use. For instance, solar paneling built directly into the roof and façade provides electricity and hot water. But the house also employs a "breeze chimney," an architectural tool used by the ancients, as a kind of old-school air conditioning. The difference between the air pressure in the chimney and outside causes hot air to flow out of the chimney stack and cooler air to enter through windows and doors. "It must make sense first," says Mr. Mouzon, a so-called New Urbanist architect who believes in traditional designs that emphasize pedestrian-friendly neighborhoods. His house "isn't trying to do wild and wacky things with roof shapes or wall shapes but a good sensible building that is highly lovable. It is inventive where it needs to be." Like Rios Clementi Hale, Mr. Mouzon sees the house as a source of food. He would add "melon cradles," an invention he says he thought up for this project, to allow heavy melons and other vegetables to grow vertically up the sides of his house. Another of his innovative ideas would require Americans to do more than just feed the goldfish bowl: He would install tilapia pools in a "kitchen garden" to provide fresh fish to the homeowner. It's among the most energy-efficient ways to raise animal protein, Mr. Mouzon says. But the most important order for Mr. Mouzon is to make the house compact. "The smaller thing you can create, the more sustainable it is." In fact, that's something that all four of our architects agree on: Americans need to learn to live in smaller spaces if we are going to make an impact on the environment.—Mr. Frangos is a Wall Street Journal staff reporter in New York. Write to Alex Frangos at alex.frangos@wsj.com Printed in The Wall Street Journal, page R1 Copyright 2009 Dow Jones & Company, Inc. All Rights Reserved This copy is for your personal, non-commercial use only. Distribution and use of this material are governed by our Subscriber Agreement and by copyright law. For non-personal use or to order multiple copies, please contact Dow Jones Reprints at 1-800-843-0008 or visit www.djreprints.com
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